Event: Carnival of Couture
Date:Jun 20, 2026
Location: The Mezz | Downtown Orlando
Presented by: Vivant Production Collective
Photography: Criss Magazine™
Event Credits
Starria
Clyana Ward
Asia
Dawn Alexander
Royal Mafia
The Collections
Starria: Crochet Clown Fantasy
The runway opened with Tallahassee-based crochet artist Starria (@bumbreads), who redefined the medium with a whimsical yet sharp collection. Her standout look featured a two-piece cropped tank and shorts set, meticulously crafted from white crochet yarn accented with black straps and playful balls for buttons. Complete with a matching hat and shoe covers, the ensemble drew clear inspiration from classic clown archetypes, elevated through the intricate textures of her handcrafted technique.
Clyana Ward: The Carnival Asylum
Orlando's own multi-hyphenate creative Clyana Ward (@clyanastylez) brought a darker, more psychological edge to the evening. Known for her fearless use of patterns and textures, Ward stunned the audience with a checker-print straight jacket that extended into a full head covering. The faceless model, emerging like a specter from a "carnival asylum," served as a powerful testament to Ward's ability to blend high-fashion tailoring with haunting, cinematic storytelling.
Asia: Old Hollywood Heritage
Self-taught Jamaican seamstress Asia’s (@byxasia) collection offered one of the evening's most refined interpretations of the theme. Her designs were a masterclass in femininity, channeling the grace of Old Hollywood while subtly incorporating cultural elements that paid homage to her roots. Based in Orlando, Asia's work proved that timeless sophistication and modern cultural identity can coexist beautifully on the runway.
Dawn Alexander: Engineered Carnival
Closing the collections was Dawn Alexander (@custom_paperdollz), a civil engineer whose technical background informs her breathtaking structural designs. As the 2026 winner of the Orlando Caribbean Carnival costume contest, Alexander infused the runway with vibrant energy. Her collection featured expertly engineered wired bras, explosive plumage, and a kaleidoscope of colors that brought the authentic spirit of Caribbean Carnival into a high-fashion context. Speaking with Alexander after the show, she shared how she loves being able to build things as an engineer and she was encouraged to join the carnival costume contest, where she was welcomed and won.
Editorial Observations
Beyond the individual garments, Carnival of Couture highlighted the remarkable craftsmanship behind each collection. Throughout the evening, a clear contrast emerged between structured, engineered silhouettes and the softer textures of handmade techniques. Dawn Alexander's wired Carnival designs celebrated architectural precision, while Starria's intricate crochet work demonstrated the patience and artistry of handcraft. Rather than chasing trends, each designer used fashion to tell a personal story rooted in culture, imagination, and technical skill. The audience responded with genuine enthusiasm, affirming that there is a growing appetite for work that honors heritage while pushing creative boundaries. For Criss Magazine, the evening reinforced a simple truth: the most compelling fashion is created when exceptional craftsmanship and authentic storytelling exist side by side.
Closing
Fashion shows like Carnival of Couture do more than present collections—they strengthen the creative ecosystem by giving designers, artists, and audiences a shared space to exchange ideas. As Criss Magazine continues documenting Caribbean fashion and its global diaspora, these moments become part of a larger archive celebrating the people shaping contemporary creative culture.